Favorites: Albums
Indexed by Label
Also known as "The uber-minutae record nerd section."
Archive Navigational Notes
Which Label Gets Credited? This is obviously the most anal-retentive aspect of an already anal-retentive page. As of the initial establishment of this page, we will be crediting both the original releasing label (i.e. Warner Bros. for Prince's material pre-1995; SST for Meat Puppets' classic back catalog, etc.) and the current issuing label. However, everything will be on a case-by-case basis for this index. Since this page is being maintained by hand (well, touch-typing fingertips), things are going to be left out, misspelled, etc. Compliments can be sent to toypianolofi@gmail.com. Whiny complaints can be sent to toughtitty@saidthekitty.com.
Numerical Label Names (and Artist Names/Album Titles): Any labels that have a number in their name (e.g. 20th Centurty Fox Records as the first example I thought of), as well as artists with numbers in their monikers (e.g., 2NE1) are strictly alphabetized as if the numbers were spelled out. The same methodology goes for album titles (e.g. 3-Way Tie (For Last)) when being alphabetized under Artists with multiple entries in the list.)
The Fifth Column: Here, I'll be slipping in whatever distributor, co-label, or similar affiliated label/company was associated with the album. I'm just using "Partner" as the most general heading I could think of. Sub-identifications will include [D] (distributor), [L] (licensed from), [L2] (licensed to), [I] (imprint), [PL] (parent label), [S] (sublabel/subsidiary imprint), [R] (reissuing label), [P] (production company), [PD] (pressing and distribution deal), [CL] (cassette-only label or release), [C] (co-label), [US] (US label}, [UK] (UK label), [JP] Japanese label, [JA] Jamaican label, [SK] South Korean label, [CN] Canadian label, [DE] German label, [IT] Italian label, [FR] French label, [IS] Israeli label. A country code next to a US or UK-based label indicates that the album was first released in that specific country through the local division of that label (e.g. Akina Nakamori's Variation being released in Japan via the American label Reprise), What I won't mention are actual label conglomerates (i.e. Sony, Warner, UMG, Concord, BMG, etc.) or distributors of independent labels (i.e. Revolver, ADA, etc.). Every one of these designations is on an album by album basis due to how crazy things tended to get behind the scenes at the label headquarters (like how The Jesus And Mary Chain and their UK label Blanco y Negro were with Reprise in the US for their first album and then Warner Bros. (Reprise's parent label) for Darklands. Also, these designations will relate to the original release only, not any reissues unless otherwise noted.
| Label | Artist | Album Title | Entry # | Partner | |
|---|---|---|---|---|---|
| A | |||||
| ABC | Steely Dan | Aja | #86 | MCA, Geffen [R] | |
| Ace of Hearts | Mission of Burma | Signals, Calls and Marches | #38 | ||
| Vs. | #52 | ||||
| Alternative Tentacles | Dead Kennedys | Fresh Fruit For Rotting Vegetables | #22 | [R]; Cherry Red [L,UK]; IRS [L2,US] | |
| Plastic Surgery Disasters | #128 | Faulty Products [PD] | |||
| LARD | The Last Temptation of Reid | #182 | |||
| various artists | Not So Quiet on the Western Front | #221 | Maximumrocknroll [C] | ||
| A&M | The Dickies | The Incredible Shrinking Dickies | #251 | ||
| Iggy Pop | Blah-Blah-Blah | #231 | |||
| Soundgarden | Badmotorfinger | #250 | |||
| Superunknown | #233 | ||||
| Antilles | Mars, Teenage Jesus & The Jerks, DNA, The Contortions | No New York | #283 | ||
| Apple | The Beatles | Abbey Road | #163 | ||
| The Beatles (White Album) | #65 | ||||
| Let It Be | #224 | ||||
| George Harrison | All Things Must Pass | #168 | Dark Horse [R] | ||
| Paul McCartney & Wings | Band on the Run | #37 | MPL [P] | ||
| Ringo Starr | Ringo | #154 | |||
| Asylum | Joni Mitchell | Court and Spark | #422 | Elektra [PL] | |
| Atco | Buffalo Springfield | Buffalo Springfield | #60 | ||
| Atlantic | John Coltrane | Giant Steps | #40 | ||
| Crosby, Stills, Nash & Young | Deja vu | #56 | |||
| King Crimson | Red | #102 | E.G. [P]; Island [UK]; DGM [R] | ||
| Rosé | rosie | #162 | The Black Label [SK] | ||
| B | |||||
| Barking Pumpkin | # | ||||
| Bar/None | They Might Be Giants | They Might Be Giants | #209 | Restless; Idlewild [R] | |
| Basta | Raymond Scott | Manhattan Research, Inc. | #418 | ||
| Bayonet | yeule | Glitch Princess | #29 | ||
| Serotonin II | #8 | ||||
| Bearsville | Todd Rundgren | Something/Anything | #404 | Warner Bros. [PD] | |
| Beggars Banquet | Gary Numan | The Pleasure Principle | #48 | Atco [L2] | |
| Blanco y Negro | The Jesus & Mary Chain | Psychocandy | #3 | Reprise | |
| Blank | Pere Ubu | The Modern Dance | #215 | Mercury [I] | |
| Blast First | Sonic Youth | Daydream Nation | # | Enigma [L2,US] | |
| Blue Note | Cannonball Adderly / Miles Davis | Something Else | #438 | ||
| Bluurg | Subhumans [UK] | EP-LP | #122 | [UK], Southern [PD] | |
| Brain | Neu! | Neu! | #252 | [DE], Metronome [PL] | |
| Buddah | Captain Beefheart and His Magic Band | Safe As Milk | #180 | ||
| C | |||||
| Candlelight | Emperor | Anthems to the Welkin at Dusk | #153 | Century Black [L2] | |
| Capitol | Beastie Boys | Paul's Boutique | #169 | ||
| Klaatu | 3:47 AM | #193 | |||
| Pink Floyd | Piper at the Gates of Dawn | #184 | Columbia/EMI [UK] | ||
| Casablanca | Giorgio Moroder | From Here to Eternity | #201 | ||
| Parliament | Funkentelechy vs. The Placebo Syndrome | #78 | |||
| CBS | The Clash | The Clash [UK edition] | #50 | [UK] | |
| CBS Masterworks | Michael Tilson-Thomas, Orchestra of St. Lukes | Beethoven: Symphony No. 3 "Eroica" & 12 Contredanses | #429 | ||
| CD Presents | D.O.A. | Bloodied But Unbowed | #156 | Restless [R,CD]; Sudden Death [CA,R] |
|
| Celluoid | Fela Kuti | Army Arrangement | #403 | ||
| Charisma | Genesis | The Lamb Lies Down on Broadway | #150 | [UK]; Atlantic [US] | |
| Cherry Red | The Fall | Sub-Lingual Tablet | #303 | ||
| Chrysalis | Blondie | Parallel Lines | #75 | ||
| Clay | G.B.H. | Leather, Bristles, Studs and Acne | #338 | [UK]; Cleopatra [US,R] | |
| clenchedwrench | Mike Watt | hyphenated-man | #124 | ORG Music [PD] | |
| Cleopatra | Jah Wobble | Metal Box Rebuilt in Dub | #267 | ||
| Creation | My Bloody Valentine | Loveless | # | [UK]; Sire [L2,US]; Domino [R] | |
| Columbia | The Byrds | Mr. Tambourine Man | #74 | ||
| Leonard Cohen | Songs of Leonard Cohen | #218 | |||
| Miles Davis | Black Beauty: Miles Davis at Fillmore West | #248 | |||
| Kind of Blue | #69 | ||||
| Miles Davis at Fillmore | #64 | ||||
| fIREHOSE | mr. machinery operator | #177 | |||
| Mahavishnu Orchestra | Birds of Fire | #205 | |||
| Pink Floyd | Wish You Were Here | #55 | |||
| The Stooges | Raw Power | #94 | Legacy [R, remixed] | ||
| Peter Tosh | Legalize It | #129 | [US]; Intel-Diplo H.I.M. [JA], Virgin [UK] | ||
| Mike Watt | Ball-Hog or Tugboat? | #27 | |||
| The Secondman's Middle Stand | #111 | ||||
| Combat | Possessed | Beyond the Gates | #319 | Relativity [PL]; Century Media [R] |
|
| Combat Core | Circle Jerks | Wonderful | #374 | Combat [PL]; Columbia [R] | |
| Contemporary | Ornette Coleman | Tomorrow Is The Question | #466 | Fantasy [R] | |
| Crass Records | Crass | Best Before 1984 | #240 | [UK]. Southern [PD]; One Little Indian [R] | |
| Cruz | ALL | Allroy Sez... | #174 | SST [PL] | |
| D | |||||
| DB Recs | Pylon | Gyrate | #192 | New West [R] | |
| Deathbed Tapes | Vomir | Live from the Catabombs | #269 | ||
| Deathlike Silence Productions | Mayhem | De Mysteriis Dom Sathanas | #368 | [NO], Voices of Wonder [PD], Century Black [L2,US] | |
| Def Jam | Public Enemy | Fear of a Black Planet | #31 | Columbia [D] | |
| DGC | Sonic Youth | Experimental Trash, Jet Set and No Star | #71 | Geffen [I], UMG [PD] | |
| Goo | #96 | Geffen [I], Warner Bros. [PD] | |||
| Weezer | Pinkerton | #114 | |||
| Weezer (Green Album) | #242 | ||||
| Thurston Moore | Psychic Hearts | #239 | |||
| Dirty Hit | beabadoobee | Loveworm | #311 | [UK] | |
| Dischord | Embrace | Embrace | #100 | ||
| The Faith/Void | Faith/Void | #132 | |||
| Fugazi | In on the Killtaker | #176 | |||
| Repeater | #207 | ||||
| 13 Songs | #126 | ||||
| Minor Threat | Minor Threat (2 7"'s on a 12") | #54 | |||
| Out of Step | #79 | ||||
| Rites of Spring | Rites of Spring (aka End on End) | #178 | |||
| Teen Idles, S.O.A., Government Issue, Youth Brigade | Dischord 1981: The Tear in Seven Inches | #106 | CD version also contains Minor Threat (2 7"'s on a 12") | ||
| various artists | Flex Your Head | #135 | Alternative Tentacles [L2,UK] | ||
| Drakkar Productions | Mutiilation | Vampires of Black Imperial Blood | #274 | ||
| E | |||||
| Earache | Wormrot | Dirge | #112 | ||
| Editions Makossa | Fela Kuti | Expensive Shit | #232 | Soundworkshop [L], Knitting Factory [R] |
|
| E.G. | King Crimson | Beat | # | Polydor [L2,UK]; Warner Bros. [L2,US] |
|
| Elektra | The Doors | The Doors | #134 | ||
| The Soft Parade | #206 | ||||
| The Stooges | Fun House | #14 | |||
| The Stooges | #80 | ||||
| Television | Marquee Moon | #123 | |||
| They Might Be Giants | Flood | #113 | |||
| EMI | Red Hot Chili Peppers | Mother's Milk | #87 | ||
| X-Ray Spex | Germ Free Adolescents | #217 | [UK] | ||
| Enigma | The Dickies | Second Coming | #336 | ||
| Sonic Youth | Daydream Nation | #57 | Blast First [L,UK] | ||
| Enigma/EMI America | Red Hot Chili Peppers | Freaky Styley | #203 | ||
| Epic | Adam and the Ants | Kings of the Wild Frontier | #28 | CBS [UK] | |
| Prince Charming | #225 | CBS [UK] | |||
| Adam Ant | Friend or Foe | #249 | |||
| Cheap Trick | Heaven Tonight | #104 | |||
| The Clash | The Clash [1979 US edition] | #50 | |||
| London Calling | #12 | CBS (UK) [L] | |||
| Oasis | Definitely Maybe | #160 | Big Brother [R] | ||
| SCANDAL | Best*SCANDAL | #197 | [JP] | ||
| The Street Sliders | Tenshi Tachi | #43 | [JP] | ||
| F | |||||
| Factory | Joy Division | Closer | #210 | [UK]; Qwest [US, R] | |
| Unknown Pleasures | #76 | [UK]; Qwest [US, R] | |||
| Faulty Products | Circle Jerks | Wild in the Streets | #415 | Frontier, Porterhouse, Drastic Plastic, Trust [R] |
|
| F-Beat | Elvis Costello & The Attractions | Get Happy!! | #245 | [UK]; Columbia [L2,US] |
|
| Fiction | The Cure | Faith | #110 | Polydor [PD] | |
| Fontana | Pere Ubu | Cloudland | #296 | ||
| 4AD | Lush | Gala | #140 | Sire [L2,US], Nippon Columbia [L2,JP] |
|
| Frontier | Circle Jerks | Group Sex | #138 | Porterhouse, Trust [R] | |
| G | |||||
| Gasatanka | Redd Kross | Teen Babes from Monsanto | #362 | Enigma [PD]; Merge [R] | |
| Geffen | Guns n' Roses | Appetite for Destruction | #276 | Uzi Suicide [I] | |
| Neil Young | Trans | #238 | |||
| Good Charamel | Shonen Knife | Super Group | #297 | ||
| GRP | Chick Corea | The Chick Corea Elektrik Band | #428 | ||
| H | |||||
| Harvest | Syd Barrett | The Madcap Laughs | #237 | EMI [PL] | |
| Hollywood | Danzig | Danzig 5: Blackacidevil | #450 | ||
| Homestead | Big Black | Atomizer | #310 | Touch & Go [R] | |
| Horizon | Ornette Coleman | Dancing in Your Head | #281 | A&M [PL] | |
| I | |||||
| Impulse! | Alice Coltrane | World Galaxy | #118 | ABC [S]. GRP/MCA [R] | |
| Imago | Rollins Band | The End of Silence | #196 | ||
| Industrial | Throbbing Gristle | 20 Jazz Funk Greats | #423 | [UK]; Mute [R] | |
| Intel-Diplo H.I.M. | Peter Tosh | Legalize It | #129 | [JA]; Columbia [US]; Virgin [UK] | |
| I.R.S. | Dead Kennedys | Fresh Fruit for Rotting Vegetables | #22 | Cherry Red [L], Faulty Products [D] |
|
| R.E.M. | Reckoning | #33 | |||
| Island | Nick Drake | Bryter Later | #211 | [UK], Antilles [US,R] | |
| Public Image Ltd. | Second Edition | #19 | Warner Bros. [PL,US]; Virgin [L] | ||
| J | |||||
| # | |||||
| K | |||||
| K | Beat Happening | Beat Happening | #127 | Domino [R] | |
| Kamera | The Fall | Hex Enduction Hour | #107 | Cherry Red [R] | |
| Kill Rock Stars | Dos | Justamente Tres | #214 | ||
| L | |||||
| Lado | Jah Wobble | Jah Wobble's Bedroom Album | #70 | 30 Hertz [R] | |
| LaFace | TLC | Fanmail | #98 | Arista [S] | |
| LLOUD | LISA | ALTEREGO | #200 | RCA [L] | |
| London | Meat Puppets | Too High to Die | #108 | ||
| M | |||||
| Manticore | Banco Del Mutuo Soccorso | Banco | #339 | [US/UK] | |
| Marshall Teller | The History of Apple Pie | Out of View | #244 | [UK] | |
| Maximumrocknroll | various artists | Welcome to 1984 | #278 | ||
| MCA | Elton John | Goodbye Yellow Brick Road | #4 | DJM [L] | |
| Merge | Bob Mould | Patch The Sky | #322 | Granary Music [P] | |
| Mercury | # | ||||
| Metal Blade | Cannibal Corpse | Tomb of the Mutilated | #208 | ||
| Six Feet Under | Torture | #241 | |||
| Modern | Stevie Nicks | Bella Donna | #477 | Atlantic [PL] | |
| Mute | Depeche Mode | Black Celebration | # | Sire [L2, US]; Columbia [L2, R] | |
| Nick Cave and the Bad Seeds | From Her to Eternity | #204 | |||
| Einstürzende Neubauten | Strategies Against Architecture 80-83 | #119 | Elektra [L2/PD] | ||
| Nitzer Ebb | That Total Age | #222 | Geffen [L2, US] | ||
| N | |||||
| Necropolis | various artists | Nordic Metal: A Tribute to Euronymous | #202 | ||
| New Alliance | Descendents | Milo Goes to College | #62 | SST [D,R]; ORG [R] | |
| Dos | Uno Con Dos | #130 | |||
| NewRetroWave | Kick Puncher | LiveDieRepeat | #262 | [US] | |
| Ninja Tune | yeule | Evangelic Girl is a Gun | #20 | ||
| softscars | #16 | Bayonet [C] | |||
| Noise | VoiVod | Killing Technology | #223 | [DE], Combat [C/L2,US] | |
| No More Records | DNA | DNA on DNA | #395 | ||
| O | |||||
| Odd Atelier | JENNIE | Ruby | # | Columbia [L2;PD] | |
| Osmose Productions | Marduk | Heaven Shall Burn... When We Are Gathered | #229 | [FR] | |
| P | |||||
| Paisley Park | Prince & The New Power Generation | Diamonds and Pearls | #73 | Warner Bros. [I] | |
| Parlophone | The Beatles | Beatles for Sale | #145 | ||
| A Hard Day's Night | #44 | ||||
| HELP! | #100 | ||||
| Revolver | #2 | ||||
| Rubber Soul | #117 | ||||
| Sgt. Pepper's Lonely Hearts Club Band | #140 | ||||
| Phage Tapes | The Rita | Anna Kolger Found in the River | #120 | ||
| Slit Throats | Joshi Noise Worship: Women's Most Violent | #95 | |||
| Polydor | The Cure | Faith | #110 | Fiction [I] | |
| Seventeen Seconds | #53 | Fiction [I] | |||
| Portrait | Cyndi Lauper | She's So Unusual | #25 | ||
| Positive Force | Token Entry | From Beneath the Streets | #103 | ||
| Q | |||||
| # | |||||
| R | |||||
| Radar | Elvis Costello & The Attractions | Armed Forces | #288 | [UK]. Warner Bros. [I]; Columbia [US; L2] |
|
| Ralph | MX-80 Sound | Crowd Control | #21 | ||
| Renaldo and the Loaf | Songs for Swinging Larvae | #105 | Do It [UK]; Klangalerie [R] | ||
| Tuxedomoon | Desire | #42 | Charisma [L2,UK]; Cramboy [R] | ||
| RCA | David Bowie | "Heroes" | #188 | ||
| Iggy Pop | Lust for Life | #59 | |||
| Real | Johnny Thunders | So Alone | #99 | [UK], Warner Bros. [I], Sire [R,US] | |
| Red Star | Suicide | Suicide | # | Mute [R] | |
| Reflex | Hüsker Dü | Everything Falls Apart | #93 | ||
| Release Ent. | Atrax Morgue | Sickness Report | #228 | Relapse [L2,PL]; Slaughter Prod. [IL,L]; Urashima [IL,R] | |
| Merzbow | Pulse Demon | #30 | Relapse [PL] | ||
| Venereology | #77 | Relapse [PL] | |||
| Reprise | Joni Mitchell | Ladies of the Canyon | #66 | ||
| Akina Nakamori | Variation | #282 | [JP], Warner Pioneer [PL] | ||
| Neil Young | After the Gold Rush | #82 | |||
| Revelation | Shelter | Quest For Certainty | #392 | ||
| Ribbon Music | Thao and the Get Down Stay Down | We The Common | #157 | Domino [PL] | |
| Ricordi | Banco Del Mutuo Soccorso | Banco Del Mutuo Soccorso | #378 | [IT]; Sony [IT,R] | |
| Rhymesayers | MF Doom | Mm... Food? | #433 | ||
| Roadrunner | Deicide | Deicide | #226 | ||
| Legion | #194 | ||||
| The Dresden Dolls | Yes, Virginia | #146 | |||
| Sepultura | Chaos A.D. | #144 | Epic [L2] | ||
| ROIR | Einstürzende Neubauten | 2x4 | #151 | ||
| Suicide | Half Alive | #447 | |||
| Rolling Stones Records | The Rolling Stones | Some Girls | #400 | Atlantic [PD] | |
| Roswell | Foo Fighters | Foo Fighters | #142 | Capitol [L], RCA [R,L] | |
| Rough Trade | The Smiths | The World Won't Listen | #91 | [UK] | |
| R Radical | various artists | P.E.A.C.E./War | #436 | New Red Archives [R] | |
| RSO | Bee Gees | Spirits Having Flown | # | Polydor [I] | |
| Ruby | Misfits | Walk Among Us | #317 | Slash [PL] | |
| Rykodisc | Sugar | Copper Blue | #72 | Granary Music [P]; Creation [UK,L2]; Merge, BMG [R] | |
| S | |||||
| Sacred Bones | Mort Garson | Mother Earth's Plantasia | #173 | [R] | |
| Saddle Creek | Bright Eyes | Cassadaga | #179 | Polydor [UK,L2], Dead Oceans [R] |
|
| (El) Saturn | Sun Ra | Atlantis | #243 | Impulse!/ABC [L] | |
| Cosmic Tones for Mental Therapy | #36 | ||||
| Scat | Guided by Voices | Bee Thousand | #81 | Matador [L2] | |
| Self Immolation | Scraping Foetus Off The Wheel | Hole | # | [UK], Some Bizarre [PL/PD] | |
| Sire | Body Count | Body Count (original version) | #246 | ||
| Ice-T | The Iceberg/Freedom of Speech … Just Watch What You Say | #212 | |||
| O.G. Original Gangster | #125 | ||||
| Ramones | End of the Century | #189 | |||
| Ramones | #220 | ||||
| Road to Ruin | #155 | ||||
| Rocket to Russia | #46 | ||||
| Slash | Fear | The Record | #39 | Atom Age [R,L] | |
| Germs | (GI) | #83 | |||
| Rank and File | Sundown | #167 | Warner Bros. [I] | ||
| X | Los Angeles | #143 | Fat Possum [R,L] | ||
| Smoke 7 | Redd Kross | Born Innocent | #268 | Frontier [R] | |
| Sony Japan | Whiteberry | Chameleon | #6 | Pot Artist [P][I] | |
| Southern Lord | Sunn O))) | Monoliths and Dimensions | #213 | ||
| Starchild | Yui Horie | Mizutamari ni Utsuru Sakai | #312 | King [PL/I,JP] | |
| Step Forward | The Fall | Live from the Witch Trials | #347 | [UK]; I.R.S. [L2,US]; Cherry Red [R] |
|
| Stones Throw | Madvillian | Madvilliany | #362 | ||
| Straight | Captain Beefheart and His Magic Band | Trout Mask Replica | #88 | ||
| SST | Black Flag | Damaged | #7 | ||
| Loose Nut | #23 | ||||
| Slip it In | #175 | ||||
| Grant Hart | Intolerance | #116 | Con D'or/MVC [R] | ||
| Dicks | Kill from the Heart | #166 | Alternative Tentacles [R]; Superior Viaduct [R] | ||
| Hüsker Dü | Flip Your Wig | #89 | |||
| New Day Rising | #49 | ||||
| Zen Arcade | #9 | ||||
| Meat Puppets | Meat Puppets II | #58 | Rykodisc [R]; Megaforce [R] | ||
| Mirage | #165 | Rykodisc [R]; Megaforce [R] | |||
| Minutemen | 3-Way Tie (For Last) | #67 | |||
| Double Nickels on the Dime | #5 | ||||
| The Punch Line | #185 | ||||
| What Makes a Man Start Fires? | #35 | ||||
| Saccharine Trust | Paganicons | #147 | |||
| Sonic Youth | EVOL | #109 | Geffen [R] | ||
| SWA | Sex Doctor | #198 | |||
| Stiff | Plasmatics | Beyond the Valley of 1984 | #17 | ||
| Straight | Captain Beefheart & His Magic Band | Trout Mask Replica | # | Bizarre [S], Warner Bros. [D] |
|
| Sub Pop | Earth | Earth 2: Special Low-Frequency Edition | #377 | ||
| Subterranean | Flipper | Album Generic Flipper | #216 | Def American, Water, 4MWB [R] |
|
| Sufimonkey | Richard Lloyd | The Radiant Monkey | #186 | ||
| T | |||||
| Takoma | John Fahey | The Best of John Fahey 1959-1977 | #352 | Chrysalis [R,PD]; Fantasy [R] | |
| Texas Hotel | Rollins Band | Life Time | #136 | 2.13.61 [P,L,R], Buddha [R], Dischord [R,PD] | |
| Third Man | The White Stripes | De Stijl | #131 | SFTRI [L2], V2 [R] | |
| Track Records | Johnny Thunders & The Heartbreakers | L.A.M.F. | #158 | Jungle [R] | |
| Touch & Go | Shellac | At Action Park | #152 | ||
| 1000 Hurts | #101 | ||||
| Twin\Tone | The Replacements | Let It Be | #90 | ||
| 2 Tone | The Specials | The Specials | #85 | Chrysalis [C,D] | |
| U | |||||
| Uni | Mort Garson | Black Mass Lucifer | #401 | Geffen [R]; Sacred Bones [L2,R] | |
| United Artists | Can | Future Days | #84 | ||
| V | |||||
| Vertigo | Kraftwerk | Autobahn | #236 | Mercury [PL,US]; Philips [UK]; Parlophone [R] | |
| Verve | The Velvet Underground | White Light/White Heat | #137 | ||
| The Velvet Underground & Nico | The Velvet Underground & Nico | #45 | |||
| Victor | Hiromi Iwasaki | album | #172 | [JP] | |
| Virgin | John Foxx | Metamatic | #139 | ||
| Mike Oldfield | Tubular Bells | #41 | |||
| The Professionals | I Didn't See It Coming | #234 | [UK] | ||
| Public Image Ltd. | Second Edition | #19 | Island/Warner Bros. [US] | ||
| The Ruts | The Crack | #121 | |||
| Sex Pistols | Never Mind the Bollocks, Here's the Sex Pistols | #1 | Warner Bros. [L2] | ||
| The Stooges | The Weirdness | #235 | |||
| Tangerine Dream | Phaedra | #187 | |||
| Rubycon | #133 | ||||
| XTC | Black Sea | #164 | RSO [L2] | ||
| Volt | Otis Redding | Complete & Unbelievable: The Otis Redding Dictionary of Soul | #195 | Stax [PL], Atlantic [D] | |
| W | |||||
| Warm Ratio | Vaadat Charigim | The World Is Well Lost | #331 | [US,L2]; Anova [IS,L]; Burger [US,L2,CO] |
|
| Warner Bros. | The B-52's | The B-52's | #47 | ||
| Warm Planet | #15 | ||||
| Devo | Duty Now For The Future | #13 | Virgin [UK/EU] | ||
| Freedom of Choice | #34 | Virgin [UK/EU] | |||
| New Traditionalists | #149 | Virgin [UK/EU] | |||
| Q: Are We Not Men? A: We Are Devo! | #190 | Virgin [UK/EU] | |||
| Gang of Four | Entertainment! | #181 | EMI [UK]; Matador [R] | ||
| Hüsker Dü | Candy Apple Grey | #219 | |||
| Warehouse: Songs and Stories | #170 | ||||
| Jane's Addiction | Nothing's Shocking | #68 | |||
| Ritual de la Habitual | #191 | ||||
| Kraftwerk | Computer World | #97 | EMI [UK/EU], Elektra [R,CD,US], Parlophone [R] | ||
| Prince | Dirty Mind | #26 | |||
| 1999 | #115 | ||||
| Public Image Ltd. | Flowers of Romance | #63 | Virgin [UK] | ||
| Sex Pistols | Never Mind the Bollocks, Here's the Sex Pistols | #1 | Virgin [UK] | ||
| Windham Hill | Will Ackerman | It Takes a Year | #183 | A&M [PD], BMG, Sony [R] | |
| X | |||||
| XClaim | SS Decontrol | The Kids Will Have Their Say | #148 | Dischord [C,PD]; Trust [R] | |
| XL Recordings | Yaeji | With a Hammer | #61 | ||
| Y | |||||
| YG Entertainment | BLACKPINK | Born Pink | #32 | Interscope [L2, outside SK] | |
| 2NE1 | Crush | #11 | [SK] | ||
| Young God | Swans | Cop/Young God | #227 | ||
| The Glowing Man | #159 | Mute [L2,UK] | |||
| Z | |||||
| Zetima | Minimoni | Minimoni Songs 2 | #171 | Hello! Project [P] | |
| Morning Musume | Ai No Dai 6 Kan | #18 | Hello! Project [P] | ||
| Best! Morning Musume 1 & 2 | #10 | Hello! Project [P] | |||
| Platinum 9 Disc | #24 | Hello! Project [P] | |||
| 10 My Me | #161 | Hello! Project [P] | |||
| W | Duo U & U | #51 | Hello! Project [P] | ||